Hell Meets Henry Halfway

“Absurd, unbalancing and exhilarating, Hell Meets Henry Halfway is a Tilt-a-Whirl of a show that leaves you dizzy and means to.”
— The New York Times (November 2004) on Hell Meets Henry Halfway
“The paradoxical thing about anarchy is that it takes discipline to pull off — and Dan Rothenberg's direction is, above all, disciplined… No matter how bizarre the dramatic events, a unifying company style (think George Romero apprenticing under George Abbott) keeps the action grounded.”
— Variety (November 2004) on Hell Meets Henry Halfway
“It's the rare play that conveys existentialist malaise, but isn't itself dull or depressing. Pig Iron succeeds.”
— The Village Voice (November 2004) on Hell Meets Henry Halfway