Awards & Praise

“The company, supplemented by fine actors brought in for the occasion, comprises an exceptional ensemble. Overheard after the event, 'This is what we come to...

CurtainUp on Pay Up

“It's the rare play that conveys existentialist malaise, but isn't itself dull or depressing. Pig Iron succeeds.”

Village Voice on Hell Meets Henry Halfway

“Absurd, unbalancing and exhilarating, Hell Meets Henry Halfway is a Tilt-a-Whirl of a show that leaves you dizzy and means to.”

New York Times on Hell Meets Henry Halfway

“The paradoxical thing about anarchy is that it takes discipline to pull off — and Dan Rothenberg's direction is, above all, disciplined… No matter how...

Variety on Hell Meets Henry Halfway

“The group's first original-score musical reasserts their status as Philadelphia's most imaginative theater company.”

Philadelphia Weekly on James Joyce is Dead and So is Paris: The Lucia Joyce Cabaret

“The combination of James Sugg's compelling music, the odd, remarkable lyrics, Deborah Stein's inventive writing, and the idiosyncratic ensemble acting under the direction of Dan...

CurtainUp on James Joyce is Dead and So is Paris: The Lucia Joyce Cabaret

“Prodigious talent and discipline”

Village Voice on Shut Eye

“What was perfectly clear, however, was the prodigious talent and discipline of the ensemble, which tries to blend music, dance, and theater into a madcap...

Village Voice on Shut Eye